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    Entries in The Yearling Restaurant (2)

    Friday
    Mar092012

    My Trip to Gainesville, Part 3

     CROSS CREEK

    Cross Creek was home to Pulitzer Prize winning author Marjorie Kinnan Rawlings for 25 years, from 1928 until her death in 1953. It’s an enchanting little hamlet you could easily picture in your head; a picturesque place with a babbling brook and quaint bridge that spans it. There’s none of the clutter you’d expect from a large town — no traffic lights, no horns blaring, and nothing to hear other than the faint sounds of birds cheerfully chirping in nearby trees. Yes, that would be a very good description. It’s a secluded community that epitomizes Old Florida. This year, though, there’s no babble in the brook that separates Orange Lake from Little Lochloosa Lake. A dry winter is to blame. Not long ago, down at th’ crick, you could catch a cooter wit a cane pole.

    Of her adopted town, Rawlings often wrote of the harmony between the wind and rain, the sun and seasons, the seeds and, above all else, time. Once you enter Cross Creek, you become a part of its mystique. There’s a feeling of calm that fills the heart and you’re beckoned back to an era of bygone years, listening to Bing Crosby on an RCA Gramophone instead of Kanye West on an iPod; when the country doctor still made house calls and he’d gladly take a freshly baked pecan pie as payment. Those were the days…

    Most of Rawlings’ work centered around rural central and north Florida, including Cross Creek, and in 1938, she found immense success with The Yearling, the story of a boy, his pet deer and his relationship with his father. Until it was published, most literary critics considered her to be a regional writer, but she disagreed. There’s more to writing than that. “Don’t make a novel about them unless they have a larger meaning than just quaintness.”

    Rawlings grew up in the Brookland section of Washington, DC, and attended the University of Wisconsin, but years of living in Cross Creek transformed her. She felt a profound connection to the area and the land. While the locals were wary at first, they soon warmed up and told stories of their own experiences, which she diligently wrote down in notebook after notebook, along with descriptions of plants and animals, recipes, and examples of southern dialects.

    The following 2 pictures are of Rawling’s house.

    While doing research for The Yearling, Rawlings went into nearby scrub forests and spent several weeks with a Florida Cracker, hunting, fishing, and going on a couple of bear hunts. She convinced him that she was interested in the old customs, which was the truth. Trust me, you will never win over a Cracker by lying, and you cannot be a cracker unless you was born in the state. Crackers either accept you or they don’t and there ain’t no in between.

    According to Elizabeth Silverthorne, who wrote Rawlings’ biography Sojourner at Cross Creek, Rawlings received the acceptance of her neighbors because she learned quickly about their system of morals and values. For instance, neighbors helped pick pecans from her trees in exchange for enough of the crop to last them through the winter. She became interweaved with local folks.

    In every small town, you’ll find neighbors who gaze out front windows through cracks in the curtains to see what others in the community are doing. Cross Creek was no different during Rawlings’ time. Interestingly, she based a lot of her fictional characters on people who lived in the town and surrounding areas, and because of it, resentments arose, despite the fact that she never once used anyone’s full name.

    Zelma Cason was, at one time, a very close friend of the author’s and her first in Cross Creek.  She was, that is, until she felt the sting of Rawlings’ pen in a portrayal of her in the book Cross Creek:

    “Zelma is an ageless spinster resembling an angry and efficient canary. She manages her orange grove and as much of the village a county as needs management or will submit to it. I cannot decide whether she should have been a man or a mother. She combines the more violent characteristics of both and those who ask for or accept her ministrations think nothing at being cursed loudly at the very instant of being tenderly fed, clothed, nursed, or guided through their troubles.”

    Cason took offense, so in 1943 she sued Rawlings for $100,000 for invasion of privacy. The trial became a spectacle as the struggle between the right of privacy and free speech ensued in open court, with Cason arguing that Rawlings did not have the right to publish a description of her without permission, and Rawlings countering with free speech. Interestingly, no Florida court had ever heard an invasion of privacy case prior to this one, and laws on libel were too ambiguous in those days. (Florida started its tradition of openness back in 1909 with the passage of Chapter 119 of the Florida Statutes or the Public Records Law.) 

    Cason’s attorney, Kate Walton, was one of the first females to represent a client during a time when women weren’t allowed to serve on juries in the state. Sigsby Scruggs was a well-known, crafty, cracker attorney hired by Rawlings, along with Jacksonville attorney Philip May. As much as we watched the Casey Anthony trial unfold during the course of three years, the world’s eyes were on the little Florida town of Cross Creek while WWII raged on. Rawlings’ husband at the time and until her death was Norton Baskin. “I haven’t seen people around here so stirred up about anything since that two-headed calf was born over to Island Grove,” he said. [1]

    From The St. Augustine Record, Monday, April 19, 2010:

    The trial, held in Gainesville, drew state reporters and noisy crowds. The original trial and the appeals that followed took several years.

    In the end it was a “bloody stalemate,” writes Townsend. [Billy Townsend’s great-aunt is the late Kate Walton.]

    The jury in Alachua County stood by Rawlings and “laughed Zelma and Aunt Katie and J.V. out of court. It took them 28 minutes to find for Marjorie.”

    But in 1947 the Florida Supreme Court overturned the verdict. It “both established the right of privacy exists in Florida and proved that Marjorie invaded Zelma’s privacy in ‘Cross Creek,’” he writes.

    But the court limited damages to $1 plus attorney fees. Zelma had been “wronged, but not harmed.”

    Cason couldn’t prove she’d suffered mental anguish or that Rawlings acted with malice. Rawlings failed to convince the judges that they were harming an author’s ability to write.

    “They both thought they had lost,” Townsend said.

    Before they died, Cason and Rawlings became friends of sorts once again.

    Cason claimed that the lawyers made her do it. Townsend thinks Cason came to Kate Walton to start the suit rather than lawyers approaching her. But, now, all the people who knew for sure are gone.

    As we looked over part of Rawlings’ property, Nika1 informed me that she was supposed to be buried in a different cemetery when she died, but in a twist of irony, there was a mix up and she ended up in the same cemetery as her one-time friend, Zelma, who had bought plots there earlier. When Cason died in 1963, she was buried 50 feet away from Rawlings. Quite literally, they followed each other to their graves. 

    It was now after 5:00 pm in Cross Creek, and as the lesson in history wound down and the sun edged closer to the horizon, Nika1 and I realized it was time to eat, and reservations had already been made at The Yearling Restaurant, a stone’s throw from Rawlings’ house. From the outside, the restaurant isn’t anything fancy to look at. As a matter of fact, there’s nothing at all pretentious about it. Looking at it from the front, it doesn’t look very big, either, but once you get inside, it’s almost cavernous. Our host led us to a good-sized back room where, later, two musicians sang and played their instruments. Our waitress for the evening was a delightful young lady named Leslie. You haven’t lived until you’ve eaten fried green tomatoes, and there are none finer than what we were served. For entrees, Nika1 ordered fried fish and I got fried gator tail. Yes, you heard that right. I had eaten it before, but none was as tender as this go around.

    When you’re inside the restaurant, it’s really a cozy, homey kind of place. It’s precisely what you’d expect in Cross Creek — comfort food, and I must say, the sour orange pie for dessert was fantastic!

    While we sat waiting for our food, we talked about the area; not just Cross Creek, but also about Alachua County, including where Nika1 resides. It’s amazing how many people know each other even when they live 20 miles apart. It’s a close-knit community, so when she told me the story about the history of the restaurant and one of the area’s most colorful gentlemen, I found myself captivated by what she was saying. One of her close neighbors was characterized in The Yearling. In the book, he was the crippled boy. In real life, his name is J.T. Glisson, but once you know him, his name is Jake. When the original owners opened the restaurant in 1952, they commissioned Jake to paint a picture of a yearling — one that could have been the one portrayed in the book. He did, and there it hung for 40 years. The original owners closed the restaurant in 1992 and it reopened in 2002 under new ownership. When it closed in 1992, Jake asked if he could get his painting back. The owner honored his request, and today, it proudly hangs in Nika1’s house.

    Jake is in his 80s now, but he’s not just a painter, he’s an author; a writer of books. I think there’s something in the air up there in Alachua County. I sense it’s where a lot of creative juices flow, and they once babbled through Cross Creek. The world is a wonderful place, and the legacy of Marjorie Kinnan Rawlings lives on. Why? Because she didn’t just write The Yearling, she lived it…

    “Enchantment lies in different things for each of us. For me, it is in this: to step out of the bright sunlight into the shade of orange trees; to walk under the arched canopy of their jade like leaves; to see the long aisles of lichened trunks stretch ahead in a geometric rhythm; to feel the mystery of a seclusion that yet has shafts of light striking through it. This is the essence of an ancient and secret magic.”

    — Marjorie Kinnan Rawlings

    (See: The Yearling, a 1946 movie starring Gergory Peck and Jane Wyman)

    Next: My Trip to Gainesville, Part 4 — Micanopy, the oldest inland town in Florida.

    Sunday
    Mar042012

    My Trip to Gainesville, Part 2

    This is a rather long article. I think the best way to handle it would be to continue publishing it in sections, so today will be Part 2, and it will cover my thoughts on the Old South and Old Florida, and the land where Nika1 lives. The next part, already written, will cover Cross Creek, Marjorie Kinnan Rawlings, and The Yearling Restaurant, where we ate dinner. The final part will be about another piece of Florida history, and the community, named for a Seminole Indian chief, that is believed to be the oldest inland town in the state.

    OLD SOUTH/OLD FLORIDA

    When I moved to Florida from New Jersey in 1981, I must admit that I brought some of my Yankee prejudices with me. To be honest, I never looked at southerners with disdain, nor did I see them as intellectually inferior because of their funny sounding dialects — funny to me, anyway — but let’s just say I was a little apprehensive because I was quite aware of their convoluted hatred for people of a different color, not to mention their resentment toward northerners. Of course, I didn’t expect everyone south of the Mason-Dixon Line to feel that way, and they don’t, but it wasn’t all that many years before I moved here that “coloreds” used different drinking fountains and bathrooms in many of those one-time Confederate states; Florida included. Even when I made my migration south, there were lingering reminders of inequality in places such as abandoned gas stations. Cobwebbed signs remained attached to bathroom doors as testaments to what they once proclaimed: WHITES ONLY. Like the old saying goes, we’ve come a long way, Baby, and so have I.

    During my 31 years of living in Florida, I have embraced the South, but it has absolutely nothing to do with its racist past. It’s because of its rich history, steeped in genteel southern mannerisms; of virtuous young men politely courting delightfully flirtatious belles of innocence — patiently waiting for their coming of age — as they are introduced into the upper echelons of society. It was a romantic time, and in this respect, the South continues to maintain a unique essence of bygone days, deeply etched into it’s very heart and soul. But it’s fading fast in many areas, like Orlando, where fragrant foliage is ever replaced by the harsh realities of freshly poured asphalt and concrete, and fauna is pushed to the outer edges of what was once theirs with each passing breath. (I strongly encourage you to read: Beth Kassab: The Senator victim of Florida’s long history of neglectOrlando Sentinel, Feb. 29, 2012)

    Fortunately, pockets of the Old South continue to thrive, and throughout, you’ll find many notable plantations with antebellum homes, some still privately maintained, and others turned into historical landmarks or bed & breakfast inns. There are many towns and cities that thrive on their heritage, like Savannah, Charleston and Natchez. You’ll also find vast tracts of land that are, to this day, owned by the same families the properties were deeded to many years ago. In Florida, a lot of that land still thrives with citrus groves as far as the eye can see, and beef cattle grazing on the open range. Yes, much of it has been sold off, sometimes because of hard freezes, and other times over greed; but Florida is a good-sized state and there’s still plenty of private, pristine land around whose owners are proud of their history. They are proud to carry and pass the torches to future generations, just like it’s always been.

    When I made my trek to the Gainesville area last month, I knew I was in for a special treat — one that epitomizes what I consider to be Old Florida. Of utmost importance, though, was that I would be spending time with Nika1, a lovely friend and host. Secondly, I would be visiting the town she lives in; truly a place I have a great appreciation for. I had been there once before. Also, she promised to take me to Cross Creek, and if you’re not familiar with it, it’s the little community where Marjorie Kinnan Rawlings lived for 25-years and wrote her Pulitzer prize-winning novel The Yearling. Her cracker-style home looks just like it did when she lived there in the 1930s. We were also going to have dinner at the adjacent restaurant, aptly named The Yearling Restaurant.

    THE HOMESTEAD

    I arrived at her homestead at 11:02 am, two minutes late. I hate that. We had a Gator basketball game to attend first, and that was most pressing, so off to O’Connell Center we went. I did a write-up on that leg of my trip in Part 1. When the game ended, we had plenty of time to spend before heading over to Cross Creek, so she took me to her old haunts, including the family farm. It goes without saying that she grew up in the house she still lives in, and it was built by her family in 1892. Trust me when I say there’s a lot of history in that home, and the interior is a testament to that.

    With a moo moo here and a moo moo there, Nika1 raises beef cattle. EIEIO. If you look at the banner atop this website, those are her cows, and there are lots more where they came from, plus plenty of acreage, which you cannot fully comprehend by the images below.

    I spent many years of my youth living on farms, and while some of you may find this somewhat odd, I truly enjoyed the smell of fresh grass and cow manure that wafted through the air that day. It brought back fond memories that dated back to my preteen and early teen years. It also reminded me not to step in it.

    As we were leaving, an SUV pulled alongside us and Nika1 exchanged a few friendly words with the occupants about Indian digs on her property, most likely Timucua. Two mounds, to be precise. One is a burial mound and the other is ceremonial, meaning it’s a trove of pottery and other treasures offered to their gods. Both are ancient. Anthropologists from the University of Florida are carefully collecting the relics. Nika1 has discovered many arrowheads on her property over the years; some in the field across the street from her front yard. The area is rich in native American history, and that is of special interest to me. In the near future, I will publish another article on an Indian mound much closer to home, in Sanford, FL. I still have to “dig” for more information. But first, I’ve got two more parts of this story to go.

    Next up: Cross Creek and how it impacted the area. Here is an excerpt from Part 3:

    Cross Creek is one of those places you could pretty much conjure up in your head. You’d expect there to be a creek and bridge, of course, and not much else, and you’d be pretty much right. It’s a very small community, somewhat secluded, and above all else, a place that epitomizes Old Florida. Of her town, Rawlings wrote about the harmony of the wind and rain, the sun and seasons, the seeds and, above all else, time. Once you enter Cross Creek, you become a part of the mystery, the passion, and the oneness; and for a brief moment of eternity, time stands still. If there were ever a place on earth that beckons a creative mind, this is it.